This story was originally published by ArtsATL.
The Southern landscapes that serve as the backdrop for José Jose Ibarra Rizo’s photographs — scrubby fields, railroad tracks, kudzu vines, massive oaks, intense light and deep shade — are familiar subjects in art. However, the presence of contemporary migrant communities within that landscape imbues such depictions with new energy and significance.
Ibarra Rizo’s latest exhibition, “Cultivate,” at Wolfgang Gallery through Oct. 26, builds on the Atlanta-based artist’s ongoing exploration of the migrant experience in the American South. Ibarra Rizo was born in 1992 near Guanajuato, Mexico, but migrated with his family to Gainesville at the age of 7.
Credit: Photo courtesy of Wolfgang Gallery
Credit: Photo courtesy of Wolfgang Gallery
In “Cultivate,” Ibarra Rizo documents intimate moments of work and play, as well as the many distinctive ways migrant communities in the South use and occupy space and land. His work captures efforts to put down roots, showing the creativity and ingenuity people use to transform their environments, delineating their resilience and style in the face of hardship and marginalization.
His recent Working Artist Project show at the Museum of Contemporary Art of Georgia included images of political violence, with his portraits of everyday life interspersed with prints of security footage of the arrest of Virgilio Aguilar Mendez — the Guatemalan farmworker who was cleared in March of charges in the heart attack death of a Florida sheriff’s officer. The juxtaposition provides a stark commentary on the struggles faced by migrant communities, as “Cultivate” offers a more introspective, more personal search through the same fraught fields.
Credit: Photo courtesy of Wolfgang Gallery
Credit: Photo courtesy of Wolfgang Gallery
The focus here is on normal lives, moments of joy and sorrow and efforts to create a sense of home in a foreign land. Labor has often been Ibarra Rizo’s theme, befitting depictions of working-class subjects, and that’s certainly present here. But we tellingly also have more moments of leisure and repose: soccer games and skateboards, clothing, jewelry, activities and bearing that express personal style rather than the demands of work.
His subjects, often caught in moments of quiet reflection or everyday activity, exude a sense of presence that is both powerful and poignant, with an intense gaze usually directed straight at the lens, as in “Jose,” the 2024 portrait of a young man. Ibarra Rizo’s images are memorable for their sharp, crystalline immediacy. The viewer is struck by the subjects’ sense of outward grit juxtaposed with a quietly haunting, existential sense of interiority as in “Rose Grower,” his evocative and affecting portrait of a day laborer.
Credit: Photo courtesy of Wolfgang Gallery
Credit: Photo courtesy of Wolfgang Gallery
One of the most significant aspects of “Cultivate” is the recurring motif of corn, often planted in unexpected, interstitial places in Southern exurban settings. Its symbolic presence evokes ancient, mythic notions of sustenance and continuity. The story Ibarra Rizo tells in “Cultivate” is a troubled one, but it’s ultimately a story of survival, growth and success.
EXHIBIT REVIEW
“Cultivate”
At Wolfgang Gallery through Oct. 26. 10 a.m.-5 p.m. Tuesdays-Thursdays, 11 a.m.-4 p.m. Fridays and Saturdays. Free. 1240 Old Chattahoochee Ave. NW, Suite H, Atlanta. 404-549-2397, wolfganggallery.com.
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Andrew Alexander is an Atlanta-based writer.
Credit: ArtsATL
Credit: ArtsATL
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