That the Orly event has become lost history is what largely inspired artist and curator Katherine Bell McClure to put the show together. She grew up in Buckhead and knew well the history of the crash. Some of the descendants were her classmates and friends.
“I have always been fascinated by this event,” McClure said. “When you bring it up, it’s like talking about the [space shuttle] Challenger explosion. Everybody remembers where they were when they heard the news.”
But she was also aware that the word “Orly” meant nothing to plenty of others outside her circle. What’s now the Woodruff Arts Center, this city’s cultural powerhouse, came about in part as a result of the crash. Every day, scores of people walk right past the Rodin sculpture “The Shade,” outside the High, a sculpture given by the people of France in remembrance of the victims who formed the Atlanta Art Association. Few stop to read the plaque, which bears the names of those who perished.
Frank Virgin and Penny Armstrong Hart are among the Atlantans who lost family members when the Orly plane crash 50 years ago wiped out the nucleus of the city’s arts scene.
Credit: Phil Skinner
Credit: Phil Skinner
“Arts and culture weren’t a part of this city’s soul, and they understood that was what the city needed in order to grow,” said Wright Mitchell, president of the Buckhead Heritage Society. “That’s what those folks were going to France to do because it was as much an ambassadorial mission as it was a pleasure trip.”
McClure’s piece depicts bits of the era and the fun the group was having during their trip. But deep in the background, there’s the shadow of the road that led from Orly to Paris, a road that inspired the name of McClure’s painting, “The Great Southern Road.” It’s all the more remarkable then that many of the pieces in Saturday’s show are in some ways uplifting. Artist Margaret Mangold’s piece, “Those Who Fly Yet,” is a mixed-media depiction of two young girls playing around the Rodin figure in the summer sun. In the photographs they look radiant. They are the actual great-granddaughters of a crash victim.
“I remember seeing the Rodin sculpture for the first time when I was little, and it is indelibly burned in my mind,” said Mangold, who was born years after the crash. “And in the years since, every time I go there are always children climbing all over him. I’ve noticed his fingers are burnished by so many children touching them.”
For Campay, who divides his time between Atlanta and Jacksonville, the connection was also direct. He is a graduate of the Atlanta College of Art, which was housed in the Woodruff arts complex.
“I went there in 1989 to 1992, and even established artists didn’t even talk about Orly,” Campay said. “I don’t think a lot of younger artists out there even know of it or its impact.”
A phoenix rises in his piece. It’s Atlanta’s symbol, representing its rise from the ashes of the Civil War. In “Passed Over,” it serves as a plea for remembrance of another moment that shaped the course of the city.
Orly lecture and film screening
Author Ann Uhry Abrams discusses her book “Explosion at Orly: The Disaster that Transformed Atlanta,” and Chris Moser, producer of the 2001 documentary “The Day Atlanta Stood Still,” introduces the film.
Friday, 6:30 p.m. $15. Child Hall at the Cathedral of St. Philip, 2744 Peachtree Road N.W. 404-467-9447, www.buckheadheritage.com.
“Orly: Through the Eyes of Artists”
Saturday, noon-5 p.m. Free. Millennium Gate at Atlantic Station, 395 17th St. N.W.
Art Auction and Cocktail Reception
Saturday, 7 to 10 p.m. $25. Millennium Gate at Atlantic Station, 395 17th St. N.W. 404-467-9447, www.buckheadheritage.com.