The finalists and the winner are chosen by a panel of experts. This year they are Glenn Adamson, senior scholar at the Yale Center for British Art; Anne Ellegood, senior curator at Los Angeles’s Hammer Museum; and Amber Esseiva, assistant curator at the Institute for Contemporary Art at Virginia Commonwealth University. The jurors will travel to Georgia for a last round of studio visits before picking the winner.
Though their work is very different, all four artists “draw on deep history yet also are making work that feels relevant and fresh for right now,” notes juror Adamson, who says he found a high level of sophistication in all of the artists’ work.
The aim of the Hudgens Prize is to be transformational in an artist’s career.
“The prize has provided the previous recipients the opportunity to spend a significant amount of time and resources in the exploration and development of their work, without the typical financial concerns,” says Hudgens Center Executive Director Ife Williams. “This alone is transformative as it provides the space to either complete work that has been halted due to financial unknowns or to pursue new pathways because there is a small cushion to absorb early failures and redirections.”
Previous winners attest to the impact the award has made on their careers. Gyun Hur, the Hudgens Prize's first winner, was fresh out of graduate school at the Savannah College of Art and Design and had been patching together a living working at her parents' dry cleaners and tutoring immigrant students when she found out she had won the inaugural $50,000 prize.
“It gave visibility to my work and my story. It gave me support and courage to keep moving forward with projects I felt drawn to do,” says Hur.
Pam Longobardi won the second Hudgens Prize in 2013. "With the prize money, I hired an assistant, Susan Knippenberg, to work with me in the studio, allowing me to take on more ambitious projects, as well as accompany me on international field research trips and exhibition installations," she says. "I will forever be grateful to the gift that is the Hudgens Prize."
Current Hudgens Prize finalist Beamon says that for her, winning the award would be a powerful affirmation of where she is as an artist. “To win this prize would mean a unique opportunity for me to dedicate myself entirely to the creation of new artistic work and my own artistic development.”
An added benefit of the prize is it entices artists to stay and make work in Georgia.
“The value in the prize is in its investment in Georgia artists,” says juror Esseiva. “It potentially allows for an artist to be able to continue their practice in the region, which is needed in a time when many artists feel pressure to move to cities like New York or Los Angeles.”
The Hudgens Prize is fundamental, says Longobardi, for showing the presence and importance of arts patronage in the state. “It creates an atmosphere of elevating the arts significantly as an important and essential endeavour worthy of high recognition in a region of the country not previously known for its support of visual art culture.”
Hudgens Prize Finalist Exhibition. Opening reception 2-4 p.m. Aug. 10. Show continues through Oct. 26. Artist talks: Darien Arikoski-Johnson and Paul Stephen Benjamin, 2-4 p.m. Aug. 24; Michi Meko and Benae Beamon, 2-4 p.m. Sept. 14. All events free. Hudgens Center for Art & Learning, 6400 Sugarloaf Parkway, Building 300, Duluth. 770.623.6002, www.thehudgens.org/exhibitions
2019 Hudgens pARTy: Club Tropicana.
Hudgens Prize winner announcement and fundraiser. 7-11:30 p.m. Oct. 5. $100 and up. Hudgens Center. www.eventbrite.com