MOVIE REVIEW
“The Tale of the Princess Kaguya”
Grade: A
Starring the voices of Chloe Grace Moretz, James Caan and Mary Steenburgen. Directed by Isao Takahata.
Rated PG for thematic elements, violent action, partial nudity. Check listings for theaters. 2 hours, 17 minutes.
Bottom line: A marvel of Japanese animation that submerges us in a world of beauty
By Kenneth Turan
Los Angeles Times
“The Tale of the Princess Kaguya” is a marvel of Japanese animation, a hand-drawn, painterly epic that submerges us in a world of beauty. While almost everything about it bespeaks its origins in a culture very different from the West, the delicacy and grace of its sublime imagery create an impact that couldn’t be stronger.
This feature is the first work in 14 years by venerable 78-year-old Isao Takahata, the co-founder, along with the great Hayao Miyazaki, of Studio Ghibli. Takahata has had this film, a parable about what matters in life and what does not, on his mind for 55 years, and its antecedents go back further. Much further.
“Princess Kaguya” is based on a 10th-century Japanese folk tale, “The Tale of the Bamboo Cutter,” that is considered perhaps that country’s oldest surviving narrative. Which is why so much about this film, from its cultural references to its leisurely 2 hour and 17 minute pacing, takes us on a journey to a different time and place.
Given those folk tale origins, “Princess Kaguya” not surprisingly begins with that hard-working bamboo cutter chopping away in the forest he lives in. Suddenly he spies a bright light emanating from a stalk and, drawing near, sees a tiny, fully formed and carefully dressed individual inside, small enough to fit in the palm of his hand.
The woodcutter brings this miniature being home to his wife, and it promptly turns into a conventional-looking baby girl. “This is strange,” the bamboo cutter says, and that is not the half of it.
For almost everything about this new creature turns out to be magical, including the speed with which she grows.
This strange girl turns out to be something of a wood sprite, a wild child of nature who finds her greatest pleasure running through the outdoors with the neighborhood gang headed by handsome Sutemaru. Still, even at her happiest, an air of unexplained melancholy hangs over her, a sensibility the film itself shares.
As in many folk tales, the good is fated not to last. One day the bamboo cutter makes another epic discovery in the woods, a bamboo stalk filled with gold, a find that leads him to assume that the gods are mandating a very different life for his charge. She must, he decides, become a wealthy princess in the capital, but even with untold wealth that transition proves problematic.
About the Author
