Capably performed by Neal Ghant and Cynthia D. Barker, Aurora Theatre's production of Hall's two-hander is solidly staged by Eric J. Little. (Although he's most widely regarded as a terrific actor, recently Little has carved out a niche for himself directing stories about real people: last fall's one-man Thurgood Marshall show at Theatrical Outfit; True Colors' Muhammad Ali/Stepin Fetchit drama "Fetch Clay, Make Man" in 2015.)
Where “The Mountaintop” crumbles — and disastrously so, midway through — is with a totally preposterous plot twist that beggars description. To be sure, it’s only ingenious to the extent that it essentially defies a theater critic from elaborating on its utter absurdity, lest he “spoil” the so-called surprise. Suffice to say it involves a certain degree of divine intervention.
Silly, yes. Worse yet, inexcusable. The prolonged gimmick basically defeats the play’s own purpose, which sets out to paint King as a realistically ordinary man, and then thrusts upon him a supernaturally extraordinary turn of events. It doesn’t exactly trivialize the importance of his calling or mission in life, but it does somehow diminish the impact of his ultimate sacrifice for the cause.
Through Feb. 12. 8 p.m. Tuesdays-Saturdays; 2:30 p.m. Saturdays-Sundays; 10 a.m. Wednesday (Feb. 1 only). $20-$55. Aurora Theatre, 128 E. Pike St., Lawrenceville. 678-226-6222, www.auroratheatre.com.
Bottom line: By turns lofty and ludicrous.