ANGELOU’S WORDS

“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.”

- From a 2012 interview

“You may not control all the events that happen to you, but you can decide not to be reduced by them.”

- From “Letter to My Daughter,” a 2009 book of essays

“My mission in life is not merely to survive, but to thrive; and to do so with some passion, some compassion, some humor, and some style.”

- A 2011 Facebook post

“If we don’t laugh, we will shrivel up…and die. “

- From a 2004 speech

“I’m blessed to be excited everyday, because this is a day I’ve never seen before.”

- A 2010 tweet

News services

Maya Angelou, a modern Renaissance woman who survived the harshest of childhoods to become a force on stage, screen, the printed page and the inaugural dais, has died. She was 86.

Her death was confirmed in a statement issued by Wake Forest University in Winston-Salem, N.C., where she had served as a professor of American studies since 1982.

In a statement, President Barack Obama said, “Today, Michelle and I join millions around the world in remembering one of the brightest lights of our time — a brilliant writer, a fierce friend and a truly phenomenal woman.”

Tall and regal, with a deep, majestic voice, Angelou defied all probability and category, becoming one of the first black women to enjoy mainstream success as an author and thriving in virtually every artistic medium.

The young single mother who performed at strip clubs to earn a living later wrote and recited the most popular presidential inaugural poem in history. The childhood victim of rape wrote a million-selling memoir, befriended Malcolm X, Nelson Mandela and the Rev. Martin Luther King, Jr., and performed on stages around the world.

An actress, singer and dancer in the 1950s and 1960s, she broke through as an author in 1970 with “I Know Why the Caged Bird Sings,” which became standard (and occasionally censored) reading, and was the first of a multipart autobiography that continued through the decades.

In 1993, she was a sensation reading her cautiously hopeful “On the Pulse of the Morning” at former President Bill Clinton’s first inauguration. For former President George W. Bush, she read another poem, “Amazing Peace,” at the 2005 Christmas tree lighting ceremony at the White House.

She remained close enough to the Clintons that in 2008 she supported Hillary Rodham Clinton’s candidacy over the ultimately successful run of Obama, the country’s first black president.

But a few days before Obama’s inauguration, she was clearly overjoyed. She told the Arkansas Democrat-Gazette she would be watching it on television “somewhere between crying and praying and being grateful and laughing when I see faces I know.”

She was a mentor to Oprah Winfrey, whom she befriended when Winfrey was still a local television reporter. She wrote music, plays and screenplays, received an Emmy nomination for her acting in “Roots,” and never lost her passion for dance, the art she considered closest to poetry.

“The line of the dancer: If you watch (Mikhail) Baryshnikov and you see that line, that’s what the poet tries for. The poet tries for the line, the balance,” she said in 2008.

Her very name as an adult was a reinvention. Angelou was born Marguerite Johnson in St. Louis and raised in Stamps, Ark., and San Francisco, moving back and forth between her parents and her grandmother. She was smart and fresh to the point of danger, packed off by her family to California after talking back to a white store clerk in Arkansas.

Other times, she didn’t speak at all: At age 7, she was raped by her mother’s boyfriend and didn’t speak for years. She learned by reading, and listening.

“I loved the poetry that was sung in the black church: ‘Go down Moses, way down in Egypt’s land,’” she said. “It just seemed to me the most wonderful way of talking.”

In her early 20s, she danced at a strip joint, ran a brothel, was married and then divorced. By her mid-20s, she was performing at the Purple Onion in San Francisco.

After renaming herself Maya Angelou for the stage (“Maya” was a childhood nickname), she toured in “Porgy and Bess” and danced with Alvin Ailey. She worked as a coordinator for the Southern Christian Leadership Council, and lived for years in Egypt and Ghana, where she met Malcolm X and remained close to him until his assassination, in 1965. Three years later, she was helping King organize the Poor People’s March in Memphis, Tenn., where the civil rights leader was slain on Angelou’s 40th birthday.

Angelou was little known outside the theatrical community until “I Know Why the Caged Bird Sings,” which might not have happened if James Baldwin hadn’t persuaded Angelou, still grieving over King’s death, to attend a party at Jules Feiffer’s house. Feiffer was so taken by Angelou that he mentioned her to Random House editor Bob Loomis, who persuaded her to write a book.

Angelou’s memoir was occasionally attacked, for seemingly opposite reasons. In a 1999 essay in Harper’s, author Francine Prose criticized “Caged Bird” as “manipulative” melodrama. Meanwhile, Angelou’s passages about her rape and teen pregnancy have made it a perennial on the American Library Association’s list of works that draw complaints from parents and educators.

“‘I thought that it was a mild book. There’s no profanity,” Angelou said. “It speaks about surviving, and it really doesn’t make ogres of many people. I was shocked to find there were people who really wanted it banned, and I still believe people who are against the book have never read the book.”