AJC Interview

Singer Maxwell is bringing all the soul and serenades to his Atlanta show

The neo-soul pioneer will perform with Kem at State Farm Arena on Friday.
Neo-soul icon Maxwell is returning to Atlanta for his Serenade Tour on Friday, Oct. 3, 2025. He'll perform with Kem at State Farm Arena. (Courtesy of Brandon Carter)
Neo-soul icon Maxwell is returning to Atlanta for his Serenade Tour on Friday, Oct. 3, 2025. He'll perform with Kem at State Farm Arena. (Courtesy of Brandon Carter)
2 hours ago

Maxwell stays booked and busy.

The neo-soul pioneer recently wrapped his Silent Serenade Ensemble, a limited run of intimate, orchestra-backed shows in Washington, D.C., and his native Brooklyn, New York. In February, he’ll kick off the third iteration of his Urban Hang Suite Tour (named after his 1996 debut album).

Now, he’s returning to Atlanta for his Serenade Tour, which he started in 2024. He’ll perform Friday at State Farm Arena, and R&B singer Kem will open the show. Tickets are still available and can be purchased via Ticketmaster. Since its inception, Maxwell’s Serenade Tour has featured a strong collection of openers including Jazmine Sullivan, October London and Lucky Daye.

But, at 52, the music icon doesn’t feel busy. He’s inspired to approach each creative feat with the passion and purpose that’s made him a legacy act.

“The great part is when you get out there and you get on the stage and you’re just greeted by people who have spent close to almost 30 years with you, raising you, appreciating you, giving you the confidence to be you, and carrying you through all those different phases of your life,” the crooner told The Atlanta Journal-Constitution over the phone. “I’m really, really grateful to the people who support what I do and to the people who don’t support it too, because sometimes that can be just as beneficial to your growth.”

The AJC talked to Maxwell about his work ethic, new music and upcoming Atlanta concert.

This interview has been edited and condensed for clarity.

Q: How were your shows for the Silent Serenade Ensemble?

A: They were really special, creative and emotional and celebratory of culture. … It’s really nice when you’re collaborating with talented people and you’re just sharing and providing a service of creativity to the people who come and there’s no real expectation but to just go on an adventure creatively. And it sort of typified that, in more ways than one. I think you’re at your best when you’re just kind of being as pure and creative as you can be and challenging your personal self, as opposed to how you compare to other people out there in the music world. So this was a really nice moment.

Q: What made you want to do those intimate shows?

A: I did “(MTV) Unplugged,” and it kind of had a bit of that edge. I played the Kennedy Center. I played it with the orchestra, and I just wanted to kind of do my own version of that, and seek out talent from various locations. And so it was very rewarding … it was not easy, but nothing good is easy. So I was happy that we did it. I can’t wait to do some more, so we’ll see how people feel about it.

At 52, Maxwell admits he's not interested in the gimmicks that can come with the music industry. He's focused on creating art with passion and purpose. (Courtesy of Mark Seliger)
At 52, Maxwell admits he's not interested in the gimmicks that can come with the music industry. He's focused on creating art with passion and purpose. (Courtesy of Mark Seliger)

Q: You’ve toured quite a lot over the past few years. Do you feel like you’re at home when you’re on stage?

A: Yeah. It’s cool. I love the people. I love the challenge. I definitely need things to have purpose and meaning. I was touring during the pandemic. We were all coming out of this climate. I think people think it’s over, just because we’ve moved on, but there’s been real trauma from it. People were inside, and they were really inside. Then, the world opened up again. It was fun to get back to the people, also to your career, to the thing that makes you who you are.

But there was a lot of things that need to be rectified, balanced, getting adjusted to, dealing with the hesitation, the reticence of whether or not you still can do the thing that you did before this thing happened to the world, you know? I feel kind of like I’m at the end of that journey. Walking into these shows has reminded me of, like, what we’re here to do. We’re not here to just like do shows and put songs that get on the radio and get a bunch of Spotify hits. Sometimes, people forget that just even touching one person with a song is the greatest reward (rather) than the stat.

Q: Did that motivate you to continue the Serenade Tour?

A: At the very core, it’s the essence of what we do. We are just bringing the song to the people. Some of them, obviously romantic, some of them have grief, sadness, despair, loss. I just wanted to feature people that I really admire, have voices that move me and hopefully help me to keep the traditional soul music going in its purest form. In the emotion zone. Not just in the clickbait way. In the like, “Damn, that’s a classic” way. Like The Isley Brothers, Marvin Gaye, Sade.

“Sometimes, people forget that just even touching one person with a song is the greatest reward,” says R&B crooner Maxwell. (AJC 2023)
“Sometimes, people forget that just even touching one person with a song is the greatest reward,” says R&B crooner Maxwell. (AJC 2023)

Q: What can people expect from your Atlanta show?

A: I want people to walk away feeling like, “Yeah, that was dope.” I just want them to go back into their lives feeling like I had a good night, you know, because it’s hard out here. The world is a little bit crazy. So I just want to keep some smiles going and make people feel something.

Q: Any update on the next iteration of your “Black Summers’ Night” album trilogy? It’s been teased for a few years. Are you just waiting for the right time to release it?

A: It’s definitely closer than further. I know I sound so wishy-washy and I apologize for being like that. I don’t want to jinx it. I don’t want to put words on it. I’ll tell you why. When you put words on something before God puts his (words) into motion, you can mess the plan up. So I’m really close. I’m very happy. I’m creatively satisfied. I’m not trying to go through the motions in music or in the music industry. For me, I don’t think about it that way. If I don’t have nothing to say, I just don’t think I should say anything. Now, I feel like there’s lots to discuss.

About the Author

DeAsia is a music and culture reporter for the Atlanta Journal-Constitution. She focuses on the intersection of arts, culture and diverse communities, as well as how emerging social trends are being expressed through the lens of the Atlanta aesthetic. DeAsia's work can be seen in Pitchfork, Essence, Teen Vogue, Elle and more.

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