Rock is more at home on stage than off in ‘Top Five’
MOVIE REVIEW
“Top Five”
Grade: C+
Starring Chris Rock, Rosario Dawson, Gabrielle Union and J.B. Smoove. Directed by Chris Rock.
Rated R for strong sexual content, nudity, crude humor, language throughout and some drug use. Check listings for theaters. 1 hour, 41 minutes.
Bottom line: Chris Rock shines as stand-up actor
By Roger Moore
Tribune News Service
With all the timely cultural commentary Chris Rock has been making about Ferguson, Staten Island, police chokeholds and the like while doing interviews ostensibly promoting his new film, it’s actually a relief that “Top Five” is pretty good. Decades into an indifferent film career, Rock finally discovers his “first, best destiny,” that he is more a stand-up comic than an actor. And if he’s going to write, direct and act in a film, he’d be better off playing a stand-up not unlike Chris Rock.
Rock is never more at home than in the film’s stand-up scenes, or its walking-and-riffing moments, with the comic doing killer takes on “Planet of the Apes” and race relations, Obama and what Tupac Shakur would be doing if he was still alive. “A statesman, a leader,” a relative insists. “Tyler Perry movies,” Rock cracks back.
Rock plays Andre “Dre” Allen, a New York comic who ventured into movies, made a series of popular but forgettable comedies that had him playing “Hammy,” a cop in a bear costume, fell into drugs and recovered.
“Top Five” follows Dre through opening day for his new “serious” movie, sure to be a flop. He’s playing a Haitian freedom fighter, a leader in the biggest slave rebellion in history and the day is an endless parade of radio and print interviews promoting the film.
Then there’s his bachelor party. Dre is about to marry Erica (Gabrielle Union), a gorgeous and vapid reality TV star — and their courtship and nuptials will be filmed and broadcast on Bravo.
Shadowing him on this long day is Chelsea, a New York Times reporter (Rosario Dawson) assigned to do a profile of a comic their film critic has been vilifying for years.
Rock is more a genial presence here than an actor playing an addict tested by a bad day. He never lets us see the strain that could make him fall off the wagon. He scores laughs, but generously leaves the outrageous stuff to his legion of supporting players. A funny round table of marital advice is hurled at Dre from his comic pals, Adam Sandler, Whoopi Goldberg and Jerry Seinfeld. And the treadmill of Sirius XM radio interviews and repetitive, rude print press conferences are peppered with real radio folk and real newspaper people.
The title refers to that common currency of pop culture, your “top five” hip artists, a question everybody in the film can answer — definitively — from Rock and Dawson to Seinfeld. With “Top Five,” Rock, at 49, has at long last made a movie that will top any list of the five best Chris Rock movies from here on out.
