Vikander strikes deepest chords in ‘The Danish Girl’

MOVIE REVIEW

“The Danish Girl”

Grade: B

Starring Eddie Redmayne, Alicia Vikander, Amber Heard and Ben Whishaw. Directed by Tom Hooper.

Rated R for nudity, sex, adult themes. Check listings for theaters. 2 hours.

Bottom line: A true-life, transgender romantic tragedy

Beginning in 1920s Copenhagen, “The Danish Girl” is a beautiful film about beautiful people moving through the art world in beautiful suits and frocks. One of these people, Einar Wegener, a landscape painter of some renown, trades his suit for a frock. He becomes a she, and she — Lili Elbe — is at the center of Tom Hooper’s true-life, transgender romantic tragedy.

Hooper, who won an Oscar for another elegant historical piece featuring a tormented gent, “The King’s Speech,” likes to frame his actors in dramatic spaces — artfully distressed walls, open balcony windows, the facades of stately city streets. “The Danish Girl” is no exception. It looks lovely in an art-directed way, and Eddie Redmayne, who won his Oscar earlier in the year for his portrayal of Stephen Hawking in “The Theory of Everything,” looks lovely, too. Especially as he goes all-in, transforming himself from the shy, mysterious Einar to the shy, mysterious Lili.

The latter’s coming out is at a grand party. Accompanied by his wife, the artist Gerda Wegener (Swedish actress Alicia Vikander), Einar-as-Lili is aquiver in a beaded silk dress that leaves the neckline bare. Red lipstick, a chic bob, darting eyes, tremulous gestures — it’s impossible not to look at Lili as she makes her entrance (posing as Einar’s cousin from the countryside), liberated for the first time from the clothing, the identity that had long and wrongly been assigned. Born a male, Einar’s very being is female.

That struggle — the knowledge that you are trapped in the wrong body — is what drives the title character of “The Danish Girl,” and there are moments when Redmayne and Hooper (using a screenplay by Lucinda Coxon, adapted from the book by David Ebershoff) evoke that conflict in heartrending ways.

“The Danish Girl” follows Einar-turned-Lili’s quest to live as a woman, first in Copenhagen, then Paris, and ultimately pursue a medical procedure for sexual reassignment. (It was one of the first such operations to be documented, in a German clinic, under the care of a doctor played in the film by Sebastian Koch, of “Bridge of Spies” and “Homeland.”)

The film also tracks the increasingly tricky relationship between the married couple: Gerda is at once a guide, encouraging her spouse as he enters this heretofore foreign world. But Gerda is also a victim of the gender switch: Lili is courted by a besotted admirer (Ben Whishaw). What’s a good wife to do?