‘Only Yesterday,’ a classic in Japanese animation, is a delicate beauty

Starring the voices of Miki Imai, Youko Honna and Daisy Ridley. Directed by Isao Takahata.

Rated PG for thematic elements, some rude behavior and smoking. Check listings for theaters. 1 hour, 59 minutes.

Bottom line: A Japanese animation classic that is intimate and magical

Intimate and somehow magical, “Only Yesterday” is a classic of Japanese animation, made 25 years ago but never before released in this country. To see it now is to understand the reason for the delay and why the wait has been very much worth it.

Certainly, “Only Yesterday’s” pedigree couldn’t be more impressive. Its director, Isao Takahata, is one of Japan’s great animators, most recently responsible for 2013’s Oscar-nominated “The Tale of the Princess Kaguya.”

In 1985, Takahata joined with Japan’s fantasy animation master Hayao Miyazaki (“My Neighbor Totoro,” “Spirited Away”) to co-found the legendary Studio Ghibli. Both men share a preference for intrepid girls as protagonists but, in this film at least, Takahata finds the emotional complications of the everyday more alluring than any fantasy world.

The story of a young woman who moves back and forth between childhood memories and the dilemmas of her current life, “Only Yesterday” is a realistic, personal story made universal in a delicate way.

Screening in subtitled and dubbed versions, “Only Yesterday” is based on a Japanese graphic novel and, especially in its childhood scenes, has very much the flavor of remembered experience. It begins in the Tokyo of 1982, where a 27-year-old office worker is about to begin a vacation. No, she tells her supervisor, she’s not going abroad, she’s going to spend time on a farm in the country.

This would be Taeko (“Star Wars: The Force Awakens’” Daisy Ridley in the dubbed version, Miki Imai in the original). Unmarried and having just turned down a suitor, she feels a bit at loose ends and has always wished she lived in the country.

So Taeko makes arrangements to visit the farm of her brother-in-law’s family where she’s worked before, this time to pick safflowers, plants whose vivid red petals are traditionally used to make rouge.

Frustrated as well as warmed by childhood memories (“It’s like traveling with a 10-year-old” she grouses to herself) the adult Taeko, with a job she neither loves nor hates, starts to wonder if she has been true to her more adventurous younger self.

Complicating these thoughts is the presence of a handsome young organic farmer named Toshio (“Slumdog Millionaire’s” Dev Patel and Toshio Yanagiba), whose enthusiasm for his work acts as a tonic. “It’s fascinating to raise living things,” he tells her. “If you take care of them, they’ll do the best for us.”

A film with a mind of its own, “Only Yesterday” finds time to go into detail about the history and harvesting of safflower plants, but mostly it focuses on Taeko’s emotions as she struggles to make peace between her childhood and her current situation.

Considered a landmark in Japanese animation for the realism of its drama, “Only Yesterday’s” emphasis on the rhythms and events of the everyday means its style takes a bit of getting used to. But once you get on this film’s wavelength, it has you for the duration.