MOVIE REVIEW
“Morris From America”
Grade: B
Starring Craig Robinson, Markees Christmas, Carla Juri and Lina Keller. Directed by Chad Hartigan.
Rated R for teen drug use and partying, sexual material, brief nudity, and language throughout. Check listings for theaters. 1 hour, 31 minutes.
Bottom line: A coming of age story about the highs and lows of growing up
Chad Hartigan’s low-key coming of age charmer “Morris From America” takes the fish-out-of-water tale and gives it a hip-hop twist, in the story of an African-American teen learning his first adult life lessons in Heidelberg, Germany. Indie filmmaker Hartigan drew from the well of his own experience, having spent his early childhood in Cyprus, the son of missionaries.
Markees Christmas makes his film acting debut as Morris, a 13-year-old fumbling through his transition from childhood to adulthood alongside his single father, Curtis (Craig Robinson). Both men are learning how to live without Morris’ deceased mother, and are lonely. But they share an obsession for American hip-hop, which serves as their common language and common ground.
Hartigan effectively re-creates the experience of diving into the world of music via headphones, as Morris ambles around the ancient European city, taking in the classic art to the soundtrack of classic and alternative rap. It’s the way in which he and Curtis bond, bantering over their favorite tracks, and the way in which Morris identifies himself in a cultural setting that doesn’t quite know what to make of him.
As is the case with many young teenage boys, Morris has got a crush — on the Lolita-esque older girl at the local youth center, Katrin (Lina Keller). The flirty, wise-beyond-her-years Katrin might be bad news — inviting Morris to drug-fueled techno parties — but she’s also the only person to befriend him, aside from his German language tutor, university student Inka (a delightful Carla Juri).
To the detriment of her character development, Katrin is more device than person in the film. We get a bit of her backstory and a peek into her relationship with her mother, but her use in the story is to inspire Morris, to motivate him to put himself out there, to finally perform for a crowd. He wants to prove himself to her more than anyone else.
While Christmas makes a winning debut in “Morris from America,” the breakout performance comes from Robinson as Morris’ dad, who is struggling in much the same way as his son — few friends, feeling out of place, unsure of how to tackle this whole teenager thing. Robinson, known for his comedic roles in “The Office” and “Hot Tub Time Machine” is tremendous here — funny and heartbreaking and raw — as a dad who needs to parent his child, but also needs his child to be his friend.
Ultimately, “Morris from America” is a deeply felt coming of age story that’s honest about the highs, lows and often awkward messiness of growing up.
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