These girls rock, write and sing own songs
Camp gives a teen a chance to find her voice


The Atlanta Journal-Constitution
Published on: 07/17/08

Something a kid with an electric guitar plugged into an amp rarely hears from an authority figure: "You need to be louder."

That's what Michelle Friedman, a band coach at Girls' Rock Camp, tells Kaitlin Turner-Simotics of Duluth, who's holding a guitar almost as big as she is. Friedman turns up the amp — "that's as loud as it will go" — and Kaitlin's band, the Voltz, which did not exist five days ago, plunges ahead with a loud, sloppy, fun rehearsal.

Alison Church/Special
Michelle Friedman helps tune ten-year-old Emma Wagner's electric guitar.
 
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Girls' Rock Camp started in 2001 in Portland, Ore., and has spawned a documentary, a book and spin-off camps in 13 cities. Atlanta's camp is on its maiden voyage this week, heading toward its big moment, a concert Saturday night by the 24 girls who've been writing their own songs and rehearsing all week at Eyedrum Gallery.

Rock summer camps for teens have been proliferating in recent years, with several in metro Atlanta, but Girls' Rock Camp is the first for girls only, ages 10 to 18. Camp costs $250 for one week, and instruments are provided, although many girls bring their own.

"This is a place where these girls can come to discover their own voices," says Stacey Singer, the Atlanta camp's founder and director.

Part of that voice-finding is the camp rule that the girls have to write and perform their own songs rather than stick with familiar cover songs.

The result is new songs like "Puking Up a Revolution," a stream-of-consciousness punk ditty written, quickly, by a power trio who have dubbed their band "whateveryouwant"— Carly Pope on drums, Leslie Lang on guitar and Lily Vann-Womack on bass. At 14, Pope is the elder rocker, and takes charge of rehearsal, clicking her sticks with authority as she counts them off: "1, 2, let's go!"

"It's a part of our mission," says Singer, a former bassist for local band My Siamese Self. The camp also has workshops in girls' image issues, self-defense and other topics. "Learning to play an instrument is not our primary goal," she adds.

Singer says about half of the girls knew how to play instruments before coming to camp and half are novices. Some, like 10-year-old Roxy Brown of Decatur, knew playing music only from the popular play-along video game Rock Band. But when she sits down behind a drum kit, with her punkish streak of green hair, no one needs to tell her to play louder.

In her foreword to "Rock 'N' Roll Camp for Girls," the new book about the growing franchise, Carrie Brownstein of rockers Sleater-Kinney writes: "Bold is not a wanky guitar solo at Madison Square Garden that lasts five minutes while hundreds of thousands of dollars' worth of lights and pyrotechnics tell an audience when to applaud. Bold is learning to play the drums on Monday and performing in front of 500 people on Saturday."

And bold is Roxy Brown, playing her first live gig Saturday.

Is she nervous? "A little. Not really."

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