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Wednesday, July 1, 2009

Karl Malden dies

Great character actor Karl Malden has died at age 97. Known for roles in such Elia Kazan classics as “A Streetcar Named Desire,” “On the Waterfront” and “Baby Doll,” as well as TV’s “The Streets of San Francisco,” Malden was a master craftsman with an unmistakable, almost avuncular mien.

Other Malden films we love include “Patton,” “How the West Was Won,” “Kiss of Death,” “Boomerang,” “Birdman of Alcatraz,” “I Confess” and “The Cincinnati Kid.”

Here’s a partial obit from the Los Angeles Times:

Karl Malden, one of Hollywood’s strongest and most versatile supporting actors, who won an Oscar playing his Broadway-originated role as Mitch in “A Streetcar Named Desire,” died today. He was 97.

Malden starred in the 1970s TV series “The Streets of San Francisco” and was the longtime American Express traveler’s-check spokesman, warning travelers to not leave home without it. He died of natural causes at his home in Brentwood, said his daughter Mila Doerner.

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With his unglamorous mug — he broke his bulbous nose twice playing sports as a teenager — the former Indiana steel-mill worker realized early on the course his acting career would take.

“I was so incredibly lucky,” Malden once told The Times. “I knew I wasn’t a leading man. Take a look at this face.” But, he vowed as a young man, he wasn’t going to let his looks hamper his ambition to succeed as an actor.

In a movie career that flourished in the 1950s and ’60s, Malden played a variety of roles in more than 50 films, including the sympathetic priest in “On the Waterfront,” the resentful husband in “Baby Doll,” the warden in “Birdman of Alcatraz,” the outlaw-turned-sheriff in “One-Eyed Jacks,” the pioneer patriarch in “How the West Was Won,” Madame Rose’s suitor in “Gypsy,” the card dealerin “The Cincinnati Kid” and Gen. Omar Bradley in “Patton.”

His varied performances established Malden, former Times film critic Charles Champlin once wrote, “as an Everyman, but one whose range moved easily up and down the levels of society and the IQ scale, from heroes to heavies and ordinary, decent guys just trying to get along.”

Malden was a longtime holdout to television until he agreed to play Lt. Mike Stone on the ABC police drama “The Streets of San Francisco,” with Michael Douglas. The series, which ran from 1972 to 1977, earned Malden four consecutive Emmy nominations as lead actor in a drama series.

When he finally won his sole Emmy, it was for outstanding supporting actor in a limited series or special, as a man who begins to suspect that his daughter was murdered by her husband in the fact-based 1984 miniseries “Fatal Vision.”

Malden also starred in “Skag,” a short-lived 1980 NBC dramatic series in which he played a Serbian family man and union foreman at a Pittsburgh steel mill.

But for all his movie and television roles, it was primarily the series of American Express traveler’s-check commercials Malden made between 1973 and 1994 that gave him his greatest public recognition. (Even Johnny Carson, complete with fake proboscis, dark suit and short-brimmed fedora, spoofed Malden’s sober-faced commercials on “The Tonight Show.”)

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Robert Rodriguez premieres his new one, ‘Shorts’

When Robert Rodriguez debuts his family-friendly films in Austin, he likes to go all-out. For his latest Austin-made kids movie “Shorts,” a Day-Glo fantasy, a carnival with rides and games will spill out in front of the Paramount Theatre before the show.

The screening, the film’s local premiere, happens at 2:30 p.m. Aug. 16 at the Paramount. Proceeds go to the Thoughtful House Center for Children. Expect a red-carpet event with the filmmakers and some of the young cast.

Tickets and details HERE.

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Modigliani looks beyond ‘Crawford’

Following the success of his doc “Crawford” — enjoying a second life at Hulu and Netflix — Austin filmmaker David Modigliani is working on his second feature doc, “61 Bullets.”

Here’s his pitch for it: “Fiery Louisiana Senator Huey Long was assassinated in 1935 by a young doctor with a 3-month-old baby and no clear motive. Now, 74 years later, that baby is out to clear his father’s name. And the bottom line is that he’s probably right. 61 BULLETS follows Dr. Carl Weiss Jr.’s mission to recover a bullet from Huey Long’s buried body, exonerate his father, and overturn Louisiana history before it’s too late. The quest for exoneration is a unique angle on bona fide whodunit — the biggest American political assassination between McKinley and Kennedy.”

The director has done some shoots in Louisiana and is actively seeking funding and all that other indie filmmaking fun.

Modigliani is also at work on THIS.

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