March 22, 2006
American Idol" Barrycobana!

I love, love, love the semi-regular Barry Manilow nights on "American Idol." He Who Writes The Songs is, flashy '70 Vegas-isms and disturbingly emotion-prohibitive face lift/eye tuck combo notwithstanding, the best provider of something the Very Special Singerlings desperately need - solid musical coaching from someone who has absolutely nothing invested in kissing their butts or tearing them down.
Because he's Barry Freaking Manilow.
The lovely thing is that even the ones that didn't seem to initially respect the power of the Barry - Elliot, I'm looking at you - seemed to understand, after their rehearsal with him, that trends and youth may come and go, but that experience, music and passion are always the fashion. With the Barry...I fell in love.
And now: The highest highs and blahest blahs:
- Katharine: Boy, this girl is talented, and pretty and poised. I'd like to see her go a little crazy and nutty, just to see that she's not a refined one-trick pony. Still, she's consistently the best female singer in the thing, except for...
- Mandisa: Forget all the hoo-ha about Chris being the only one with the full, stardom-ready package. This child is gorgeous. I mean stunning. And she's gracious and amazingly voiced. Truly amazing, and exciting to watch.
- Elliot: Just adore him.
- Taylor and Bucky: Simon's right about their performances being blah and karaoke-like if they were standing alone. But they both have that special something - joy and a genuine appreciation for being up on that stage, especially my little Buccaroo, who is this week's Idol Boyfriend. Because he got rid of the Jessica Simpson hairdo.
- Lisa: Is she still here?
- Kevin: He was OK. Still not thrilled.
- Ace: True story - I tried to watch his song three times and fell asleep every time. And you know his song was not that long. Hmmm.
- Paris: I was not on the Midnight Train To Paris early on, but she's growing on me, because, like the Buckanator, she's fired up to be there, and is sometimes dorky in her overexcitement. And that's OK, because at least she's spontaneous, unlike....
- Kellie: What have they done to her? She used to be delightfully real-ish and affectation-free, on the robotic pageant tip. But now, she's doing the Lisa Tucker choreographed stage performance: "One-two-three-Smile, one-two-three-impassioned face, one-two-three point." Boring. Please, come back. I'd even take another story about Comet and strange fish if this is the road you're going down.
Strangely enough, I also fell asleep during Ace's song. But I had a couple of Manhattans before the show....
Posted by: Tess at March 22, 2006 4:26 PMI agree with your comments about Barry. He is a MUSICIAN, not just a singer or personality. We could use some more of that these days. I really like Elliott's voice. I wish he had paid more attention to Barry's suggestions because he still didn't "tell the story" very well, but I still like him best of the men (sorry, fans of Chris). Speaking of Chris, did you omit him on purpose or was it just an oversight? I know he is the favorite right now, but I wouldn't trade him for Catherine or Mandisa. As Simon said last night, it's a singing competition and I just don't think he sings all that well. But then, my favorites never win, so I'm almost afraid to say I like somebody. I agree with your view of the contestants for the most part. I don't find Ace that boring and I just wish they would get the hook for Bucky because he can't sing on key. But it's amazing how things can change from week to week on this show.
Posted by: Joan at March 22, 2006 5:46 PMFirst of all, these so-called "idols" should be automatically eliminated for saying they've never heard of certain artists' songs -- Barry being only one of many over the course of the show's existence. Chris, who performed Stevie's "Higher Ground" thought it was a Chili Peppers original! That's absurd. He should be arrested for saying something that indecent! In every interview with these contestants, each one always claims, "I was brought up around so much music, bla bla bla!" Yet, they'll admit to NOT KNOWING STEVIE WONDER'S SONGS! This is why the show is such a free pass for mediocre singers, Kelly Clarkson being the only "true" exception thus far. No one can deny her talent. Underwood is good, but she'll have to prove herself first. Ruben and Clay are a combined laughing stock, and Fantasia is slowly on her way. Real musicians know what "growing up around music" truly means. It's not some silly punchline to fabricate credibility -- it's a deep-rooted knowledge and appreciation for musicians of myriad genres, not just contemporary pop-culture, one-hit wonders. I'm not even a Manilow fan, but can sing along with so many of his tunes if they came on the radio. American Idol might consider altering its age limit, not to turn away older contestants, but rather, those below ages 18, because the truth is, most contestants that young don't even know what a real "IDOL" -- like Stevie Wonder -- is.
Posted by: Matt at March 28, 2006 1:32 PM